![]() When the 1975 won the British equivalent of a Grammy, Healy, in an acceptance speech, read a snippet of an essay by the writer Laura Snapes about misogyny in music. The band’s last album, “Notes on a Conditional Form,” from 2020, opens with a monologue about the climate crisis delivered by Greta Thunberg. He sometimes ceded his spotlight to the voices of women. Though he has always run his mouth, he long seemed dedicated to saying the right thing, eventually, and getting praised for it. Healy is something of a test case for the digital panopticon and its reaction cycles. The future holds little imagined promise, and, to cope, teens are indulging in reactionary conservatism or the oppression Olympics, the world and their identities distorted by social media. Now, as Healy sees things, the average seventeen-year-old is worried about melting ice caps, or the failures of capitalism, or how easy it is to say the wrong thing. He sang the song’s refrain: “I’m sorry if you’re living and you’re seventeen.” When Healy and his three bandmates were that age-they have been a band, and best friends, for twenty years-they were mostly concerned with shows, records, parties, and girls, and they believed earnestly in the power of art to free themselves and change the world. Then he lit a cigarette and began to play the jittery riff that opens the band’s latest album, “Being Funny in a Foreign Language.” “You’re making an aesthetic out of not doing well / And mining all the bits of you you think you can sell,” he sang, taking long pulls from a bottle of red wine as the audience roared. His band, the 1975, stood in position among wood-panelled walls and framed family photos, and Healy-skinny, in a close-cut suit and a tie, black curls slicked back behind his ears-rose and dramatically blinked at the lights, took a swig from a flask, and sat down at a piano. That song is very deceiving because it's cocky on the melody end and it's musically a difficult song for average bands to play, because it's all this intricate picking and a lot of riffs and syncopations and singing and playing that song has always been a challenge.In January, the thirty-four-year-old British rock star Matty Healy woke up on a couch in his house, except it was not his house, it was a stage set at the O2 Arena, in London, and twenty thousand people were there with him, screaming. He also stated, "The thing I like about 'Seventeen' is that time and time again I've seen cover bands try to play it and there's no one I've ever seen be able to play that riff correctly. He said they were trying to rip off a Led Zeppelin song with "weird syncopation" on the verse, though he cannot remember which song it was anymore - probably " The Crunge" or " Walter's Walk". However, Winger had an idea, and wove it into the song. Winger said guitarist Reb Beach wrote the main riff when he was about 15, but was unsure how to use it. ![]() ![]() ![]() Background Īccording to Kip Winger, he took inspiration from the Beatles song, " I Saw Her Standing There", which contains the lyric, "Well she was just seventeen / If you know what I mean / And the way she looked / Was way beyond compare" and that he wasn't aware that it was illegal for an adult to have sexual relations with a seventeen-year-old. ![]() The song was named the 87th best hard rock song of all time by VH1. The B-side for this single was the album cut "Poison Angel”. Released in 1989, the song charted at No. "Seventeen" is a single released by the American rock band Winger, from their album Winger. 4:47 (Extended version in the Rock Band 4 DLC) ![]()
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